])e Nagy and Stable [to Oct. 8] have a two-gallery group
show tilled “Distillation”, selected by Eugene Goossen of
the Hunter College Art Department, which posits the fur-­
ther reduction of Reductionist, minimal means. …and

Rosemarie Castoro, the most interesting of the group,

shows large canvases penciled with diagonal lines that

make faintly tinted, overlapping bands, pleasing to the

eye with their all-at-onceness and their bouncing delicacy.

All these works are elegant and some of them are exciting,

but one wonders how much further expressive resources

can be reduced, and if the art that will develop from this

further reduction can be anything else but invisible.

                                                                    John Perrault

                                                                    ART NEWS

                                                                    October 1966